A Poet’s-Eye View

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Bong Joon Ho’s film Parasite (2019) unfolds in two of the most memorable domestic spaces in recent cinema: the Kim family’s squalid apartment, on a Seoul street prone to fumigation and floods, and the tech entrepreneur Nathan Park’s sleek modernist mansion, which the grifting Kims infiltrate. In a delirious twist halfway through the movie, Bong […]

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